In this piece, John Tedeschi brings to life a passle of characters drawn from his everyday experience in Manhattanís Chelsea neighborhood. Some of them he knows; many he invents from a passing glimpse. They are a varied lot, including Ernie, the Chinese mailman (the postman doesnít ring twice, but his ears continue to ring from a childhood pyrotechnic accident, after which he decided he didnít want to go into the family firework business in China); Byron, the gay depilatory worker who is also a dancer; a Hispanic candy salesman; a mentally disturbed homeless guy; a madam; an old black tap dancer reduced to working as a washroom attendant; a lesbian crossing guard; and a limo driver of a famous show-business personality ("Yes, Mr. Tedeschi!")
Tedeschi establishes his characters clearly in the writing, with witty one-liners and subtly worked-in exposition. (Elijah the bathroom attendant describes a fancy meal of fish in the restaurant: "They cooked it in a piece of paper Ė I didnít know whether to eat it or read it!") His impersonations were equally distinct, though they tended toward caricature rather than detailed characterizations. He distinguished his characters better in body language than vocally, where his range was more limited. For example, his Big Mary was obviously ponderous (and overheated) as a result of her weight; his Hispanic candyman used an energetic and complicated body language to communicate. Vocally, the characters tended to sound more alike.
The set comprised a few cubes and a platform (for the homeless guy to sleep on). Lighting used the three areas of the stage effectively, especially the blue back lights. Unlike many one-man-show specialists, Tedeschi didnít use changes of costume, a choice that helped the show run smoothly. The sound design included voiceovers of Tedeschi introducing the show, and musical numbers (abruptly cut off when the next number was ready) to provide context for numbers just completed.
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Copyright 2002 John Chatterton